.rcn präsentiert: TRASH TALK
& YOUTH
MAN
Z-Bau, Nürnberg, Galerie
Samstag, 18.03.2017
Beginn: 20:00
Uhr
Einlass: 19:30 Uhr
VVK: ab 16 EUR
(zuzgl. Gebühren)
AK: Erhöhter Preis
Tickets an allen bekannten Vorverkaufsstellen oder online: RESERVIX
Wir verlosen 3x2 Karten ab Einsendeschluss Donnerstag, 16.03.2017
-Direktklick auf verlosung@rcnmagazin.de (Namen, Betreff TRASH TALK und Telefonnummer für eine spätere Gewinnbenachrichtigung nicht vergessen), Preisfrage (Teilnahme freiwillig, ohne Auswirkung auf Gewinn): Eure bevorzugte VVK-Stelle?
Konzertvideo:
Liverezi aus UK:
Trash Talk are known to many because of their intense live
shows which leave you worrying where to stand so you don’t come
out covered in bruises. ... with their love of weed,
skateboarding and partying so hard their live performances look
more like riots. ... We witnessed this firsthand the last
time Trash Talk played Brighton, supporting Off! at The Haunt.
What happened that night is something we never fully
understood, and rumours were floating around for a while
afterwards. The gist of it was that during the last song of
Trash Talk’s set, guitarist Garrett Stevenson climbed up on top
of the speaker stack at the side of the stage and was being
ushered down unsuccessfully by the bouncers who then followed
the band backstage once they’d finished. ... radio receive a
message suggesting an ambulance was required. From what
everybody was saying, the guitarist had sparked out the bouncer
who’d gone to tell him off with a single punch. Police and
paramedics arrived and Trash Talk didn’t play the secret set
they had planned to play at the Integrity show up the road at
The Hydrant as apparently the police had told them to stay out
of trouble. ... This time the Sacramento band play the Green
Door Store, a smaller venue with no security tonight whatsoever
(maybe they were scared?), and therefore even more opportunity
for stage-diving, speaker-climbing, rafter-swinging carnage.
... New drummer Thomas Pridgen (formerly of The Mars
Volta) is the only member playing anything before somebody
jumps from that usually safe section in the corner where the
seating is. ... What follows is about thirty or forty minutes
of everything we expected – bodies flying everywhere, circle
pits and sweat – all to the soundtrack of heavy, chugging riffs
leading into thrash style drumming and Lee Spielman’s
no-fucks-given vocals and stage presence. Lee clambers over the
top of the crowd during a set of both old and new songs that
last between thirty mad seconds and two insane minutes
each.
(Quelle brightonsource.co.uk)
____
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